New publication: Experiential Walks for Urban Design

I am delighted to announce that Springer has released a new book Experiential Walks for Urban Design: Revealing, Representing, and Activating the Sensory Environment, edited by Barbara E. A. Piga, Daniel Siret and Jean-Paul Thibaud.

Tassia Joannides and I have a chapter included in the book, titled ‘Urban Flâneur: A Site-Responsive Walking Methodology for Fashion Design‘, as part of a section on Experiential Walk for Informing Urban Design and Favoring Citizens’ Engagement.

You can read the ABSTRACT for the chapter here:

Walking is fundamental to how we occupy and navigate our world. Our streets are populated by walking, dressed bodies yet the role of walking has been largely overlooked by the field of fashion design. This chapter examines how fashion can play a role in producing experiences and understandings between (dressed) social bodies and urban environments. Firstly, it proposes that walking the city is a critical activity for fashion practice that can be utilised by creative practitioners to build embodied and situated knowledges of place through a methodology of ‘urban flâneurie’. Secondly, it demonstrates how a critically reflective approach to walking can enhance how fashion presentations—such as runways and public events—contribute to place-making through engagement with urban environments. These concepts are explored through a case study of a site-responsive fashion project in Victoria Harbour, Australia, entitled Urban Flâneur, which resulted in two creative public events. Here, walking becomes a method for fashion designers to study complex relationships arising between fashion, culture and place, and to produce outcomes that activate the urban site.

ABOUT THIS BOOK:

“The edited volume explores the topic of experiential walks, which is the practice of multi- or mono-sensory and in-motion immersion into an urban or natural environment. The act of walking is hence intended as a process of (re-)discovering, reflecting and learning through an embodied experience. Specific attention is devoted to the investigation of the ambiance of places and its dynamic atmospheric perception that contribute to generating the social experience. This topic is gaining increasing attention and has been studied in several forms in different disciplines to investigate the particular spatial, social, sensory and atmospheric character of places.

The book contains chapters by experts in the field and covers both the theory and the practice of innovative methods, techniques, and technologies. It examines experiential walks in the perspective of an interdisciplinary approach to environmental and sensory urban design by organising the contributions according to three specific interrelated focuses, namely the exploration and investigation of the multisensory dimension of public spaces, the different ways to grasp and communicate the in-motion experience through traditional and novel forms of representation, and the application of the approach to urban participatory planning and higher education. Shedding new light on the topic, the book offers both a reference guide for those engaged in applied research, and a toolkit for professionals and students.”

PURCHASE is available through the publisher here: SPRINGER

Extended dates – Doll House: Miniature Worlds of Wonder

Re-opening Friday 5 November 2021 until 30 January 2022

Como House and Garden

Corner Williams Rd & Lechlade Ave
South Yarra, Victoria 3141

Tickets: https://dollhousecomo.com/about

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Due to changes in COVID-19 restrictions, Como House will be re-opening on Friday 5th November 2021and the exhibition, ‘Doll House: Miniature Worlds of Wonder’ will be extended to the end of January 2022.

My miniature work, Baba Yaga Hut, is featured in the exhibition! I do hope that you will be able to see the show.

Tarryn Handcock, Baba Yaga Hut (2020)

“Get up close to over 40 doll houses, many previously unseen from the 1880s to the present day. Together with furniture, accessories, ephemera and virtual experiences, Doll House: Miniature Worlds of Wonder unlocks the imagination of makers, collectors, activists and players and reveals the stories hidden in their worlds.”

Source National Trust of Australia (Victoria)                    

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FURTHER INFORMATION:

https://dollhousecomo.com/about

IFFTI 2021 conference

INTERNATIONAL FOUNDATION OF FASHION TECHNOLOGY INSTITUTES (IFFTI), 23rd Annual Conference

Fashioning Resurgence: Our Time is Now

26 – 28 October 2021

Pearl Academy, India  

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I will be presenting a paper on research at the upcoming IFFTI 2021 conference with my colleagues Verity Prideaux, Dr. Sonya Kraan, Dr. Rebecca Van Amber, Emma Yench, and Associate Dean of Technology, Dr. J Underwood from RMIT University’s School of Fashion and Textiles.

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Abstract: Reflecting on Place and Materials: Interdisciplinarity Practices for Fashion

The fashion and textiles sector is undergoing a moment of deep reflection. Technological innovations and improved environmental, social and ethical practices are transforming the global fashion and textiles industry, fundamentally changing how clothes are made, consumed and experienced. Simultaneously, society and consumer behaviour and expectations are changing. Conscious consumers are buying less but better and are wanting more meaningful experiences. Various industry reports (such as the Global Fashion Agenda, 2020) highlight the challenges, as well as opportunities, facing the industry. These challenge the global fashion and textiles education community to rethink how it prepares graduates for industry. What knowledge and skills will graduates need? As educators, how do we adapt and transform curriculum offerings to provide graduates opportunities for meaningful employment, meet the needs of industry whilst ensuring that we work within planetary boundaries and strive for best ethical and social practices.   

When considering future employability of graduates, three key considerations will inform and shape the fashion and textiles industry: (i) Sustainability and the shift to a circular fashion system require new ways of working; (ii) A new material intelligence is needed that will support the analysis and development of the next generation of materials within a framework of sustainability, and (iii) Interdisciplinarity through a multi-stakeholder approach to support ‘Age of entanglement’(Oxman, 2016) ways of working. 


This paper outlines the conceptual philosophy for the learning design of the two courses co-delivered to all first-year students in the School of  Fashion and Textiles These courses seek to scaffold and complement students’ discipline-specific learning of design (fashion design and textile design), enterprise (fashion enterprise) or technology (sustainable innovation). Both courses seek, in different ways, to promote interdisciplinary learning which enables students to develop shared language sets around sustainability and materials, and to recognise and establish relationships between disciplinary sectors.  Furthermore, it is argued that interdisciplinary courses can provide opportunities to explore diverse strategies for actioning sustainability locally and in connection to global issues.

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FURTHER INFORMATION:

Pearl Academy x IFFTI conference website

Doll House: Miniature Worlds of Wonder

EXHIBITION

22 July – 29 August 2021

Como House and Garden

Corner Williams Rd & Lechlade Ave
South Yarra, Victoria 3141

Tickets: https://dollhousecomo.com/about

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Over July and August my miniature work, Baba Yaga Hut, is featured in the exhibition, ‘Doll House: Miniature Worlds of Wonder’, presented by the National Trust of Australia (Victoria) at Como House and Garden.

Screen Shot 2021-06-26 at 4.41.39 pm

“Step inside the doll house and lose yourself in a miniature world of wonder and intrigue.

Explore the doll house from its traditional form to the space it occupies in the virtual and intangible worlds.

Get up close to over 40 doll houses, many previously unseen from the 1880s to the present day. Together with furniture, accessories, ephemera and virtual experiences, Doll House: Miniature Worlds of Wonder unlocks the imagination of makers, collectors, activists and players and reveals the stories hidden in their worlds.”

Source National Trust of Australia (Victoria)

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FURTHER INFORMATION:

https://dollhousecomo.com/about 

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ASSOCIATED EVENTS:
Curator Talk
Select Thursdays from 24 June
Peek behind the scenes
Hear the stories directly from the curator, Dr Annette Shiell, and discover more about the houses, objects and concepts that combine to create this magical exhibition experience.

IFFTI x RMIT Workshop

IFFTI x RMIT Workshop

‘CRITICAL CONVERSATIONS’

3-5pm, 10 March 2021

School of Fashion & Textiles

RMIT University

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I will be presenting as part of a panel for the upcoming IFFTI x RMIT Workshop, ‘Critical Conversations’.

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‘Ethical and sustainability practices, material innovation and the digital transformation is changing the fashion and textiles industry requires us to work in more collaborative ways and within planetary boundaries.’

This conversation brings course leaders together, of two courses codelivered to all first-year fashion and textiles students. We discuss how interdisciplinary learnings enable students to develop shared language sets around sustainability and materials, and to recognise and establish relationships between disciplinary sectors.

Convenors: Associate Dean (Technology) Dr Jenny Underwood with Dr Tarryn Handcock and Verity Prideaux (Place and Story), Dr Georgia McCorkill (Fashion Design Reuse) and Dr Saniyat Islam (Sustainable Materials).

FURTHER INFORMATION:

IFFTI Workshop Poster 5.03.2021

Critical Fashion Studies Conference

Critical Fashion Studies Conference

27 – 29 February 2020

School of Culture and Communication

University of Melbourne  

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I will be presenting a paper on research at the upcoming conference on the collaborative project Dr Tassia Joannides and I have been undertaking on relationships between fashion and walking.

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Abstract: Designing urban site-responsive fashion.

Urban spaces and places offer up the potential for dynamic site-responsive design and presentation approaches. Yet in fashion, site-responsive design practice has been largely overlooked. Despite an increasing interest in localism there has been a surprising lack of practical inquiry into how disciplinary understandings of locality can be formed and how a sense of place can play a role in fashion design and presentation. Through a case study of two fashion design courses run by Tarryn Handcock and Tassia Joannides, located in (and responding to) Brunswick and Victoria Harbour, it is proposed that becoming an ‘urban flâneur’ can be a methodology for building  understandings of the local in fashion design and pedagogy. By reconceiving Walter Benjamin’s nineteenth century flâneur as an embodied subject who actively observes and produces fashion in the urban environment, practices of ‘urban flâneurie’, including inhabiting, observing and engaging with urban sites, are presented as a methodology for fashion designers to recognise, develop and communicate situated knowledges. Drawing out these knowledges, which might reflect specific material, historical, political, and disciplinary circumstances, as well as socially embedded narratives of place, could enable designers to build critical understandings of how fashion practice can mitigate, control, inform and enhance experiences (Potvin 2009) and perceptions of space and place. This methodology demonstrates the potential for fashion to expand interdisciplinary spatio-cultural discourse of site and contribute valuable understandings to how local practices can actively shape an urban context, including through public engagement events.

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FURTHER INFORMATION:

Critical Fashion Studies Conference website

Design Tasmania Artist Talk

DESIGN LAB TALK: BODY FUTURE

16 January 2020, 11.20am for 11.30am start

Design Tasmania

Corner of Brisbane St + Tamar St

Launceston TAS

Free MONA FOMA event

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Design Tasmania invites you to a conversation between artist Tarryn Handcock and curator Claire Beale, as a part of the Body Future exhibition presented by Design Tasmania for MONA FOMA:

“Tarryn Handcock is a cross-disciplinary design practitioner and lecturer within the School of Fashion and Textiles at RMIT University (Melbourne). Her practice integrates jewellery and object making techniques as well as critically reflective design process strategies including writing, drawing, and speculative scenarios. The Dust Project asked 100 people to participate in a practice based investigation collecting 200 dust samples, a ‘culture’ that combines particulates from living human bodies, garments, and the spaces they inhabit. This ongoing speculative project is a launching point for thinking about three key themes in the context of design: the duration of human bodies and dress, how dress can wear and be worn in relation to a changing body, and the ethics of bodies and dust.

The skins and cells of our moving, breathing bodies disperse into the world, mingling with foreign matter and waste as we pass through space. It is an unsettling and permanent presence, marginal and transitional, without site or bounds.
–Tarryn Handcock”

MONA FOMA 2020

BODY FUTURE

15 January – 1 March 2020

Design Tasmania

Corner of Brisbane St + Tamar St

Launceston TAS

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Opening: Wednesday 15 January 5pm @ Design Tasmania

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I am delighted to be exhibiting with Alice Potts as a part of the Body Future exhibition presented by Design Tasmania for MONA FOMA in 2020. 

“In a world where fast fashion is failing our future, how could we transform the daily impact of our bodies to be of use to the planet? The answer could lie in our sweat or even our dead skin and dander according to two designers: Alice Potts from Royal College of the Arts (London) and Tarryn Handcock from RMIT (Melbourne).” – Design Tasmania

FURTHER INFORMATION:

MONA FOMA 2020

Design Tasmania

New Publication: The Meeting of Aesthetics and Ethics in the Academy

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I am pleased to announce that my writing is featured in the newly released book, The Meeting of Aesthetics and Ethics in the Academy: Challenges for Creative Practice Researchers in Higher Education.

My chapter, ‘Touch and trace: Ethical methodologies for a phenomenological skin’, which addresses how Australian ethical guidelines can be applied in practice to living skin and abject human biomatter (skin dust). It also raises questions about how human data can be treated ethically through research practices.

According to the publisher: ‘The Meeting of Aesthetics and Ethics in the Academy provides a deep understanding of the nuances of ethics in the creative environment and contributes to the critical exploration of the nature of research ethics in higher education.

Written by world-renown academics with a wealth of experience in this field, this volume explores ethical challenges and responses across a range of creative practices and disciplines including design, documentary film making, journalism, socially engaged arts and the visual arts. It addresses the complex negotiations that creative practice researchers in higher education undertake to ensure that the ethical compliance required does not undermine the research integrity and artistic aspirations. By presenting carefully considered challenges to accepted models of research, this book illustrates critical analysis through a variety of case studies and anecdotal examples that provide an insight into improved ethics practices and policies in higher education.

This book is perfect for academics, ethics administrators, higher degree research candidates and supervisors looking to engage further in creative practice research and wanting to explore and understand its ethical oversight.’

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BOOK NOW AVAILABLE THROUGH ROUTLEDGE